Saturday, May 31, 2008
DO I DAZZLE YOU?
Thursday, May 29, 2008
trips to Winslow.
So today I compiled a new playlist, entitled "Awesome Walking Songs" -
- and set off for Winslow for tea, as I am wont to do. There is something incredibly comforting about my simple 15-minute walk down to the teahouse and back. It's become a bit of a ritual this year. It's centering, somehow, especially with my music and the trees to keep me company. (One of the things I love most about Bainbridge is that you're pretty much always within sight of a tree.)
I got a giftcard to Oil & Water from the Hunts for my birthday, so I went down there today as well.
24 paintbrushes (and the case!) for only $18. I was powerless to resist. I am the happiest geek evar in this store. And now I want to do some painting tonight, although I'm not sure what of, and even though I have a metric ton of math and semester project-ing to do. Knowing me I will put them both off and paint anyway...
Wednesday, May 28, 2008
the sky looks like a road
Monday, May 26, 2008
bunnehhhhh
Friday, May 23, 2008
fucking blue shells
I said in my Flavors entry that I was going to add Giggling Again For No Reason to my Mario Kart playlist. And then I remembered that I didn't actually have a Mario Kart playlist.
Now I do!
I feel like suuuuuuuuuch a dork for some of these choices. At least I am a happy one. (Voyager + Rainbow Road = EPIC!)
Thursday, May 22, 2008
My ongoing battle with hands
Flavors of Entanglement
"...I thought I'd take a break from snowboarding in hell to write up a crappy review of this album that I just now listened to for the absolute very first time ever. Because that's the way to properly review a CD: listen to it one time and then act like you know it inside out and insist everyone should respect your opinion like it's printed in the Bible with red ink." *
In my defense, I've listened to the album several times by now. Onward.
Citizen of the Planet: Heard the 30-second Verizon clip last night and was FLOORED, especially because I had absolutely no expectations for this song. And the full-length does not disappoint. The strings are particularly brilliant (the bridge = omg!)
Underneath: I've heard this a million times already and so don't have much to say about it. I like it and I can understand why it was chosen as a single, but my first choice for a single would've been...
Straitjacket: YES. This is the sound I was hoping for. So hot. My favorite song on the album at present. My only criticism is that the distorted vocals at the end are annoying.
Versions of Violence: Leaked earlier, so I've heard it a bunch of times already. I really hate the lyrics for some reason - like, seriously, I have no idea why I dislike them so much, but I do. Thankfully the music and vocals are awesome enough to make up for it. I love how Lani uses her voice here, and the bells.
Not as We: Not drastically different from the House clip that's been around for ages, which is a good thing. I really love this song. Sometimes simple is best! I just wish the chorus weren't too high for me to sing along to.
In Praise of the Vulnerable Man: I am a huge dork, but I just LOVE this, in all its shamelessly poppy glory. It fills me with sugary glee. Thematically it's a lot like A Man, which is bar-none my favorite Lani song, so that's also good. And I love the strings (I think they're strings, they could possibly be synths, I'm a musical retard.)
Moratorium: Also leaked a while ago. More lovely strings. Just loving the strings on this album!! This has also become one of my favorite singalong songs.
Torch: God, this song is depressing. Depressing in that good, beautifully sad way. "I miss your warmth and the thought of bringing up our kids/And the part of you that walks with your stick-tied handkerchief" absolutely kills me. But I kind of wish that this were more string-based and didn't have such an electronic undercurrent.
Giggling Again for No Reason: This is the most Imogen Heap-like song on the album, in my opinion. I could see this being on Speak For Yourself. I really like it. It's nice to hear Alanis do a fun song like this. Also, it's going on my Mario Kart playlist.
Tapes: Only song on the album that I actively dislike. And I must be missing something, because it feels like 95% of people are praising it to Jeebus. I was expecting something more fast-paced. The rest of the album is such lovely, crystalline electro-pop, but Tapes just feels like a murky yellow dirge. (says the synesthete.)
Incomplete: I was really disappointed with both acoustic incarnations of this song, partly because one of the first reviewers hyped it to ridiculous proportions. The studio version is much better, and it works much better in context with the rest of the album as well, which is more than I can say for Tapes. I think this one will grow on me. I do love that some of the guitar bits have the same strummy rainbow quality that I sometimes get from harps.
The Verdict: This is a damn good album. A huge departure for Alanis, but definitely a welcome one! This sound really works for her. And, of course, with Guy Sigsworth at the helm, you've pretty much got it made. If it were up to me, I would replace Tapes with 20/20 (which I LOVE), and I say this knowing that there are still several bonus tracks that have yet to leak that I will probably end up adding to my hypothetical tracklist.
*meathead!
Wednesday, May 21, 2008
Godrevy Point
-A place for me to post my artwork and write about projects/ideas
-A place to write about whatever music I'm listening to
-A place to write about whatever's on my mind
-More successful than previous LiveJournals/GreatestJournals/what have you
-An exercise in writing without feeling like I have to cater to an invisible audience, even if someone does end up reading this thing
...and I laid down at the top of the cliff
confessed my sins into the wind
and the sky lay a feather in my mouth
good lord what a beautiful day
for traveling, unraveling this heavy heart away
to forgive and forget myself
my enemies and my bruises washed away
today was the day I first said 'I belong'
here in the ghost region all alone upon the shore
on this changing line between land and sea
between a cease-fire and a war...